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Hi all,
happy new week!
So, con season is upon us. It's time for all us art folk to travel around, sleepless and hungry, as we peddle our wares to the fandom masses.
These days the hardest part of con season is actually GETTING a table. We are starting off the year a bit mopey, as we missed out on a table for a con we really wanted to go to: San Japan. They sold out their alley on Jan 1st or so. The con isnt until July, but apparently every 12 yr old at Ikkicon went and registered for a table at SJ. -sigh Anyways, very sad about that, as it was supposed to be a good replacement for AnimeFest, which we won't be going to again. What it looks like we may end up doing is attending two small cons in the fall to replace the bigger ones.
We are super happy to be attending Akon this year though! Wooooh! Getting into Akon now is like a gladiator battle. It's getting harder each year. My personal opinion is that cons are going to have to start better monitoring who gets into the alley. There's TOO MANY people, and not enough of them who are serious about the matter. That's a whole other can of worms though ...
Another thing I'm personally struggling with is what to do for the cons this year. I had mentioned in a previous journal that I don't know what to draw. I sat down last night to do some new chibis, and I literally had to grill my brain. There's nothing new out that I like enough to draw. : I dont want to do original charas, because it's like trying to sell dynamite, i.e. very hard... So, I'm just doing some more art of charas I like and hoping others still like them too. Also just doing some random cute stuff that may appeal to non-fan type .
Lastly, our display is being a pain. I stood back at the last show we went to, Anime Matsuri, and was just unhappy about the way stuff looked. So I'm racking the head on how to make our table a bit more professional looking. Hopefully I can do something effective that wont cost an arm and a leg, or weigh a metric ass-ton. I've already spent a bootyload on prints and supply stuff, gaaahhh. Cons are expensive, man.
Anyways, that's all for me today! I'm hoping to have a bunch of new items that I can actually put up for sale online soon. I need to give my poor empty Etsy store some love, or perhaps follow in the footsteps of the great and give BigCartel a try. .
Off to work!
Friends:
My ultimate artistic inspiration:
Other artists I want to BE:
Other groovy cats:
<--vector! <--vector! <--rats! <--rats!
Clubs:
Reapersun Sherlock fan book ,_,
If anyone has one they would sell, please teeeellls meeeee. I will negotiate, or perhaps trade something you're looking for? Offer just, a shit ton of cash?
If anyone knows anything... ;_;
me = always late to the best fandoms
Schoolism, work, Cintiq! Woo!
Hey all,
Ugh, I cant seem to go very long without disappearing from here @_@. I always forget poor DA, shame on me.
So, a lot has happened with me in the last 5 months or so. I moved, finished Schoolism courses, and changed jobs. WOO! Im now in a spectacular position working with spectacular, amazing artists. I was away for quite awhile training in another state, which is was difficult but also fun as hell. :) I got to work alongside some of the best artists Ive met in my career to date. Plus they were all super nice guys and gals. Im very fortunate to have had this turn of events come along in my life. :worship:
I've been nuking
Schoolism update!
Hi all,
so I've officially become a student of the amazing collective at Schoolism.com. I am currently taking the Character Design course with Steven Silver. I also have Intro to Digital Painting with Andrew Hou beginning on the 23rd or so. I wanted to write a little entry here to talk about my experience thus far ^_^.
First off, I chose the guided courses at Schoolism. They are a lot more expensive than the self-taught classes, but they are exactly the thing for me. I dont know about you, but I learn very visually. I need to _see_ what people are talking about if Im to fully absorb what they're trying to show me. Actually watching
Worst con ever, and a big change.
I've done cons for about 15 years now, give or take.
This is the first con I've ever sold at where I didn't break even on the table cost. It was so bad we tore down on Saturday night and decided not to set up on Sunday. I know that this happens to everyone who does cons at least once. I've seen it happen. Artists crying at their table, asking others what they did wrong, etc. They look for a reason why people arent giving their work attention. I tell you, it's eye opening, and it's definitely a stab in the face if you've never experienced it. I know it wasn't the con itself, as others around me seemed to be doing just fine. It was m
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Hmmm... gladiator battles for tables for Akon...
That could be... FanTASTIC!
(Just kidding.... Mostly)
See you at Akon! Im always worrying about my display and I did overall like yours, other than it seemed a little cluttered maybe. But hey, its gonna be cluttered regardless.
That could be... FanTASTIC!
(Just kidding.... Mostly)
See you at Akon! Im always worrying about my display and I did overall like yours, other than it seemed a little cluttered maybe. But hey, its gonna be cluttered regardless.